hot on the heels of both save me and the robert owens collab is the third instalment of the walk.man series. big wide-eyed club womper better dayz on the a and the subtler soul rolla stay away from music on the flip. these go off. the walk.man mixtape will be released in full on cassette and digital at the end of the summer

black ivory was the pride of harlem and new yorks answer to the philly-fine delfonics but with infinitely more teen sex appeal. this silky-smooth 70s harmony trio featured the fabulous falsetto lead of leroy burgess (nephew of philly soul legend, thom bell) and charted four top-40 r&b singles and two top-30 lps under the guiding hand of their manager and today records driving force, patrick adams. songs like, you and i, time is love and dont turn around (which they performed live on soul train) are acknowledged sweet soul classics. and as the decade progressed and tastes changed, they successfully conquered the disco dancefloors with fave-raves like, mainline and walking downtown (saturday night) for buddah records which were liberally sampled by the hip-hop generation a true testament to the staying power of their incessantly soulful sound.

after numerous releases on staple labels like moods & grooves, deep explorer, contrast wax, minuendo & soul print, the duo from malta are back to their homegrown label batti batti. the 3 tracks on this ep are somewhat different to their usual style, putting aside their laid-back deepness and focusing more on the dance floor by delivering an ep of raw drums, acid lines, warm chords and filtered pads. a truly interesting release to say the least.

>maybe price is incorrect - tba< deep house legend enrico mantini brings to life purism, a new label and artists collective focused on a traditional approach in making and playing music, with no limitation on style. first release delivers three tracks of emotional, intense, warm yet groovy deep house ballads. pure pleasure for your ears. food for your soul.

dwell debuts on vinyl for of paradise with his virtual life ep, a deeply immersive journey through the heart and soul of electronic music, taking house and techno in a new direction and pushing them beyond the outer reaches.
virtual life comes packaged in a matte black sleeve complete with sticker and a6 insert.

does the world need more acid? yes it does! the r-a-g trio aka dutch producers ma spaventi, g-string & aroy dee deliver three raw acid-jams with aroy on the couch working the mic. the lyrics of dreadfully nervous are based on a edgar allan poe story. dreadfully nervous (aryd s acid mix) is a gurgling brew of squelchy acid with dark vocals and pinging cowbells pulling you in all directions. coarse claps and ever more wild synths encourage you to cut loose and make for another timeless cut. dreadfully stoned is more stripped back, with a rubbery arpeggiated synth the main hook over subtle, supple drums. those dark spoken word vocals are back again and the whole thing is freaky and unsettling as a result. last of all is the bright and glistening no soul with metal hits and claps and prickly acid all bursting out of dusty chicago drums. it s raw and sure to fire the synapses just like r-a-g productions always do.

disco stomper with diva vocals another extremely rare underground record on p&p. this time however and quite shockingly not a patrick adams or a greg carmichael production. nonetheless ôainÆt it timeö is a massive disco cut written, arranged and produced by arthur manning and p. j. wyatt paired with great vocals by soul, disco and gospel vocalist gwendolyn dennison better known for her stage name as queen yahna. queen yahna s career has seen her perform on broadway as maria in the hit musical, -porgy & bess- and the national company of -the wiz- as -evillene-. based in berlin, germany, queen yahna has had a successful career outside theater as well, cutting a few dance records over the year

nice price deal !!! yore proudly adds detroits drivetrain to the stable. drivetrains the nom de plume for derrick thompson, a dj and producer who heads up soiree records international, a label with a strong soulful house focus, who has been around since detroits early days. with over 50 releases on his back, from beatdown sessions to numerous remixes & collaborations, you can tell that >drivetrain< has a soft spot in his heart for the rich production values of 70s philly soul associated with producers such as gamble & huff and thom bell. that kinship comes through loud and clear in the eps second cut, >the rain<, when thompson sweetens the tunes brisk rhythms with triangle, electric piano, alto sax, flute, acoustic bass and a gravelly >make love (in the rain)< command that sounds like its oozing from the lips of a tasty dj. >the rain< is trumped by the a-sides >angel (serenity mix)<, which opens with a sinuous house thrust and then heats up with a tight, jacking groove that thompson soulfully embellishes with synthesizer flourishes and a smooth vocal refrain of the songs title. the vibe is lush and soulful in the extreme, with the vocals alternating between a soft murmur and robust declamation while the percolating, dub-inflected house pulse pushes determinedly forward underneath. the ep ends with the title track, >tragedy park<, which is closer in spirit to a stomping techno raver thats had a smidgen of acid thrown in for extra flavour. definitely a floor shaking bomb

mapping out their interpretation of 170 bpm music today, gerra & stone are proud to present their debut album “polarism” on dispatch recordings this september.
harnessing wide ranging influences and often contrasting moods into the drum & bass tempo, “polarism” is gerra & stone pouring their passions into a project to bring honest, emotionally charged music from the soul, balanced by swathes of darkness and groove guided havoc.

nach drei eps gibt es 2017 das mit spannung erwartete debütalbum von rag’n’bone man. »human« heißt der erste longplayer des britischen sängers, genauso wie die single, mit der er gleich mehrfach platz eins der charts belegte, unter anderem auch in deutschland.
der song handelt von den menschlichen schwächen und zeigt eindrucksvoll, was wir von dem erstling des newcomers erwarten dürfen: südstaatenbluessounds treffen auf groovenden soul und eine unglaubliche reibeisenstimme, die einem sofort eine gänsehaut verpasst.
insgesamt haben es 19 tracks auf »human« geschafft. um die produktion kümmerten sich abwechselnd two inch punch (damon albarn, brian eno), jonny coffer (beyoncé, all saints, weezer) und mark crew (bastille, the wombats).

second chapter for the basic series back with a three tracker from french duo oddmann. half bakeds greg brockmann and david odd soul deliver a quality ep perfectly defining the blind box newborn parent label s minimalistic sound.

theatre records was founded with the idea of concentrating the major genres of electronic music on a single stage. many centuries of theatral art have taught that the tragedy and the comedy are strictly linked in spite of their differences. with this pillar theatre records contains various genres that at the same time are separated in two different sub-labels. theatre white – the mask of the comedy includes the strenght and musicality of electro-house and progressive-house. theatre black – the mask of tragedy keeps inside the soul of genres as deep-house and tech-house.

u-roy was a true reggae pioneer, dubbed the originator for good reason. bursting onto the jamaican scene in the earliest 1970s, he pioneered the vocal approach called ôtoasting,ö which in addition to branching out jamaican music into a new era, was also heavily influential on an american genre in its infancy: rapping. on dread in a babylon, his third full-length, he stretches out over traditional roots grooves provided by the soul syndicate and skin, flesh & bones bands, riffing on topics including love (ôrunaway girl,ö a 1975 single released in the uk on virgin records), the bible (ôthe great psalmsö), walking the straight and narrow (ôlisten to the teacherö), and even his take on governmental policy goals (ôchalice in the palaceö). the album finishes with an instrumental version of bob marley & the wailersÆ ôtrench town rock,ö for good measure. u-royÆs style and charisma are always on display, and û as with all of his classic records û the groove rules all. presented on black vinyl with a poster of the glorious, ganja-drenched cover art, itÆs the perfect chance to revisit one of the more underrated voices in jamaican musical history.

favorite recordings presents this new official album reissue of sunshine by junior byron: a real modern-soul/disco masterpiece, originally released in 1981 by canadian label formula records, and very hard to find today.
based in canada, junior byron had quite a short career as a singer and recorded only a few singles and this stunning album between 1981 and 1985. produced by andré perry and joe la greca, two famous names in the canadian music scene, sunshine is not just a one track album, but a complete whole piece of music, including some brilliants highlights such as “inch by inch”, “galaxy” or “sunshine”, which are today must-haves in many dj’s lists.
as another longtime favorite collectable piece for charles maurice, it’s a real honor and proud for favorite recordings, to finally officially reissue it for the first time on vinyl. in order to insure the best sound quality, the original tracklist has been dispatched on a double vinyl version, which should please all djs and music collectors.

demon fuzz’s extraordinary album afreaka! demonstrates their excellence in playing psychedelic soul, dub-heavy funk, progressive rock, afro-jazz and black acid rock.

what happens when a house-music icon takes a small, talented bunch of musicians and mixes it with a savory blend of jazz, funk, dance, and soul music? you get a hearty serving of e.o.l. soulfrito, who make their single debut with upright love on vega records. e.o.l. soulfrito, led by musical director and conductor louie vega, is the condensed version of vega’s elements of life live-band project, which over its tenure has released three albums, won a grammy award in 2006 for best remixed recording, non-classical (curtis mayfield, superfly (louie vega eol mix), and performed for a globally-televised audience during the 2007 superbowl pre-game show. e.o.l. soulfrito’s name is a play on the popular latin-caribbean seasoning sofrito, which serves as a nod to vega’s own puerto rican heritage. earlier this year, the band played their first show at gramps in wynwood, miami during miami music week. upright love embodies the organic energy of e.o.l. soulfrito’s live performances. with a runtime of more than ten and a half minutes, it’s a steady groover that slowly blossoms into a blissful symphony of sprightly chords, jazzy bass, crisp percussion, pattering tambourine courtesy of kat ayala, and cindy mizelle’s vocal ad-lib serenades. easygoing yet refined, the single plays out like a summer afternoon jam session between vega and his friends: axel tosca on fender rhodes & synth upright bass, josh milan on synth jazz guitar & synth percussion. start swaying those hips and let the rhythm carry you into the sunset. i wanted to create a more condensed band, since the elements of life band has ten members, it’s always been a little difficult to do smaller venues. i also wanted to create music inspired by groups and artists like war, cymande, johnny hammond, and herbie hancock’s headhunters, but with the vega e.o.l. twist and style. i then created e.o.l. soulfrito with my studio musicians and rhythm section of elements of life and nuyorican soul. i want to take this band and perform in festivals and venues like the blue note, jazz café, ronnie scots, and bb kings. e.o.l. soulfrito will bring you future grooves with a tinge of the musical landscape from our rich past, and yes, there will be experimentation get ready for it.

after 20+ years with psych legends yura yura teikoku, shintaro sakamotos third solo album is a bonafide masterpiece of warped steel guitar, ambient disco and aor soul. orginally released in japan, 2016. like a language of sakamotos own…made with a ship-in-the-bottle-like focus. pitchfork love if possible is the pay-attention-moment. not enough know. more should know. under the radar perfectionist pop for the extraterrestrial bachelor pad. spin

the must have status of joey negros -remixed with love series has been firmly cemented with both dj and home listening disco lovers since the release of the first two volumes. since the last release jn has been working hard on sourcing more disco multitrack tapes and producing new remixes while the zr team have been equally dedicated to clearing and licensing these new versions. the enduringly popular mtume/lucas produced phyllis hyman soul classic you know how to love me gets a new makeover that reworks the original elements into a more dramatic version with many peaks and troughs, stretching it out to over 10 minutes. even for those love the original this new mix gives a favourite song a fresh new perspective and reason to be played again. motown sounds philly style instrumental bad mouthin was an underground hit on dance floors in new york, london and chicago from the late 70s onwards. it was also famously sampled in bob sinclar s no 1 gym tonic. the original is a pretty dense, everything in all the way through style production, whereas the jn mix opens things up in a bit with more room for the individual parts to be heard. the end result is an extremely energetic bassline driven disco cut that works super well on the dancefloor.

here at quantize we simply love confounding expectations cos, guess what? we love all kinds of music and don t like to be stereotyped. but this one even surprised the hell out of us so much so that we figured it deserved a 7inch vinyl release in tribute to the original format. think (about it) was originally recorded 45 years ago in the summer of 1972 by the fiery lyn collins. produced by the godfather of soul, james brown, it barely scraped into the rnb top 10 at the time and normally would have faded into time as just another great james brown produced record but in 1987, it started to get sampled by a new generation of hip-hop artists like roxanne shante and robe base and dj e-z rock. suddenly the world woke up to the possibilities of sampling and since that point, think (about it) has been sampled 1908 times and is the no.3 most-sampled record of all time. so we decided to cut a new version of it with real musicians and one of the few vocalists that would be capable of matching lyn collins firepower - dance music s diva supreme, the incredible barbara tucker. we wanted barbara to really cut loose on this and she didn t disappoint. and yes, those are real keyboards, real guitar and real horns. believe us, this session was off the scale! so when we finally got our breath back we decided we had to get this out on a 45 on its 45th anniversary! it seemed the most appropriate way to do justice to a record that simply jumps outta the grooves. we believe think (about it) will have universal appeal pretty much everywhere since the song is now implanted within the dna of dance music across the world.

sov is glad to welcome aboard the new family member for it’s 12th cat. the mole is a canadian artist known for his music boutique interpreting elements of disco, jazz, hip hop and funk. since this kind of game is also the core of our soul, we are happy to present 4 special tracks from him.

deluxe triple vinyl edition, half-speed mastered at abbey road studios, pressed on 180 gram vinyl, download code included. six panel gatefold with three inner picture bags.
live at the apollo, volume ii by james brown and the famous flames was originally released in august 1968. a follow-up to the original 1963 album live at the apollo it too was recorded in new york at the apollo theater in harlem. this deluxe edition features a more expanded live set including 19 minute version of “it’s a man’s man’s man’s world”.

the second release from bobby analog’s body fusion imprint follows in the footsteps of the first with heavily swung drums, some creative sample manipulation and a lot of soul. three tracks laced with tough 909’s, tape driven bongos, some lovely strings, an organ and even a touch of acid.

moscow based multi-talent impish has been steadily honing his skills working through labels such as program, c.i.a. and his own fast rising occulti music imprint. it’s that last label that saw him release the critically acclaimed “silence” lp back in 2016. fast forward to the autumn of 2017 and a new album project the “hush” lp is set for release through all quality physical electronic music outlets around the world. being the perfectionist that he is, impish continues to impress working on crystal clear music productions where impeccable drum work is combined with organic touches and progressions.
the second “hush” lp sampler features three cuts of the album. first up the well respected irish drum & bass producer zero t takes up remix duties for “solid”, turning the stripped back original stepper into a wavey hard hitter with the remixer’s sound plastered all over. continuing with “let me” featuring uk based vocalist kate wild things heat up quickly where soaring bass sounds complimented by soulful vocals and tech-like stabs make for an intense drum & bass experience. last but not least we find the original mix for “solid” featuring fellow moscow based vocalist julia marks. it’s an easy listening, thoughtful piece of drum & bass with driving beats for the dance floor but harmonies for the mind and soul.

the wrdubs split series is back serving up both sickness and slickness on our 4th plate to date. pon a side duties t.a.r drops a beautiful mindfuck of a track. the crafting of the bottom end of this tune is pushing next levelz while the mids and tops are full of unsettling rattles and insane voices. really not like anything else atm this tune will stop em in their tracks. progression. flip to the aa and vgb drops some sub-soul for us. robust bottom end and drums supporting a melody that addresses our need to escape the sometimes narrow musical boundaries of dubstep. expression.

skeleton recordings are proud to announce the release of the skeleton xxv project to celebrate the 25th anniversary of the label which originally launched in 1992. this is a five part collectors edition to celebrate 25 years of skeleton recordings. volumes 01 to 04 sleeve artwork when put together will form a big piece of artwork of the revamped original skeleton recordings logo that will look good on any wall. volume 05 will be a picture disc. the full digital album will only become available once all five volumes have been released. the project has taken just over 12 months to put together and is definitely something for the collectors. it has been generating quite a buzz within the underground circuit the closer it gets to release date and has been getting some really good support from the likes of bailey, storm and ray keith to name a few.

emmanuel’s “rave culture” is a record that pushes the boundaries of techno to another level. “rave culture” is his first full-length on the label bringing 2x12” round of wax. ten cuts that are committed to fill a space in the rave scene that no one else has done in terms of power, experimentation, work of soul and most of all showing respect for the old-school way of doing things. this lp is his largest achievement yet and aims to showcase who he is.
emmanuel directs the listener to unknown territory keeping them very concentrated on a rave scenario, but also giving them different reasons to think, act & explode - all with the right balance. deadly floor massacre weapons and well crafted heavy bass works elevate to a modern way of thinking as well as challenging the dancer to think forward and get inspired.
rave has never been so alive and this is the testimony of it all.

in 2001 derek launched his own label ‘trident recordings’ and released the ‘copper beech e.p.’ (the only release to date) a collection of deep soulful techno, it has since become something of a collector’s item. subsequent releases on ‘digital soul’ headspace nice & nasty and ‘geek records’ further cemented carr’s place amongst a new generation of techno producers that looked to combine soul and melody with electronic dance floor grooves. the ep entitled distant systems is a musical adventure for a quest for a new home land, a new planet, a new start, it is proper techno, proper melodies , beats and pads for this adventure. derek is a master at creating thoughtful emotive and simply wonderful techno that fits in so naturally on firescope records

das zweite album des von den ostafrikanischen reunion-inseln stammenden pariser produzenten labelle, univers-ile, ist laut wdr cosmo ein werk zwischen maloya-tradition, experimenteller elektronik und field recordings, aufgenommen mit traditionellen afrikanischen und indischen instrumenten, sowie slide-gitarre und sampler, und eingesungen in kreolischer sprache.

brooklyns pimps of joytime new album third wall chronicles is a fresh collection of 10 funk anthems ready to put a smile on faces across the globe. an intersection of brooklyn’s indie music scene, new orleans funk and san francisco soul, the pimps new studio release unites us around a common bond of peace, love and music. the apex of positivity and a solace from the daily grind shines bright as the pimps of joytime throw the dance party of the year on third wall chronicles and everyone is invited! tophatlounge.com

decks tipp!
new berlin vinyl label releases their first album sampler from their forthcoming album -nachtboutique-. influenced from disco, funk, soul, oldschool electro and house, we present to you the first vinyl of the album series. throughout the first three tracks we move from floaty house through to a disco orientated number and finish with a downbeat slowhouse jam.

moonrise hill material is a record label based in france, founded with love by folamour, ethyÞne, kaffe crÞme & okwa. focused on poetic house music, from the one that you can t stop dancing on to the one that you want to keep for yourself, the label defends the preciousness of every musical journey and the sensibility through beautiful stories.

naoki e-jima s disc shop zero record store in tokyo holds a special place in our hearts. since before idle hands was even established, when rooted records was king, the cosy, liberally stocked shop has served as a sympathetic outpost for bristol s rich culture of soundsystem music. over the years, naoki has championed all the best music to come from our fair city, from smith & mighty through to pinch and pev and on to the output from our own humble label. it s been a vital connection to help our music reach the right heads on the other side of the world, in turn providing a platform for our most treasured artists to gig and further the cause of the music we love. as a thank you for all the support naoki has shown bristol music over the years, idle hands has put together a special tribute 10inch of tracks that chime with his particular musical tastes, shining a light on some complementary gems that might have otherwise never seen the light of day. its also a chance to fill in the missing idle013 catalogue number – fortunately, the number 13 does not represent bad luck in japanese culture. on the a-side, the mighty (pun intended) rob smith takes to a track from outboxx s debut album, originally intended for a remix 12inch that never came to be. in his learned hands, lost soul becomes a shimmering stepper marked out by beautiful cascading arpeggios and of course plenty of fulsome bass, with arresting fragments of vocal drifting in and out of the mix for good measure. rob s status as a true legend of bristol music needs no explanation, but his presence here is furthermore because naoki is such a fan of his music. on the b-side, atki2 makes a welcome return to the label after bringing a classic ray of sunshine to idle hands on the second single we ever put out. as well as being a big release for us, it was apparently huge at disc shop zero, so it feels right to bring the effervescent hes royal to this 10inch release. with a sunny disposition at heart, these two tracks make sense sharing a 10inch, but it s even more fitting that they sit side by side as we doff our caps to a true hero of the global underground. thanks, naoki.

aufgenommen wurde universal high im sommer 2016 in den maze studios in atlanta, wobei niemand geringerer als der legendõre ben h allen (gnarls barkley, animal collective, deerhunter) in die produzentenrolle schl³pfte und mit bandleader ben romans-hopscraft eine kreative allianz formte. man k÷nnte -universal high- durchaus als eine wiedergeburt sehen: es setzt sich fast bis zur unkenntlichkeit vom dub-geladenen psychedelic-indie ihres deb³ts ab. der neue sound ist dagegen viel mehr geprõgt von den stra?en des s³dens, auf denen er entstand, vermischt mit dem 70 s soul von the isley brothers, curtis mayfield und shuggie otis.

finest disco tunes, incl. tracks by aretha franklin, barry white, james brown, vicki sue robinson and more

zweiter und finaler teil der ersten vinylausgabe des beliebten brownswood-samplers von dj-ikone & trendsetter gilles peterson mit elf exclusives und raritäten aus den bereichen nu jazz, soul, broken beats, world und downbeat. eine abwechslungsreiche, aurale exkursion für musikliebhaber, zusammengestellt von einem wahren trainspotter! zu den bisherigen bubblers gehörten flying lotus, mayer hawthorne, ghostpoet und jamie woon.

james bond - original motion picture soundtrack

die blitzgescheiten punk-soul-brüder melden sich zurück. es geschehen noch zeichen und wunder: schlappe zweieinhalb jahre nach ihrem letzten album -why not?- (2008) legen die sympathischen sonderlinge von superpunk ein neues album vor. nicht nur das: -die seele des menschen unter superpunk- ist das album, das man sich von superpunk (und auch von jeder anderen band) immer gewünscht hätte. die platte ist ein zärtliches und schmunzelndes -fuck you!- an, und jetzt kommt’s: die umstände. die lässigkeit und die größe, sich bei total aus der mode gekommenen musikstilen zu bedienen, die verachtung für die masse und die eliten, die textliche und musikalische autonomie - all das hat auf -die seele des menschen unter superpunk- sein zuhause gefunden. nennen wir es stil: rumpeln und groove, doo wop und 60s punk, angebertum und bescheidenheit schließen sich eben bei superpunk nicht aus. denn die blitzgescheiten genussmenschen sind musterschüler des punks, und dessen erste regel lautet nun mal: du sollst nicht langweilen! produziert wurde das album vom hamburger soulbrother bernd begemann.

didier allyne embodies a certain kind of underground already in the mid 90 s : a record store clerk, distributor, artist and dj, he cross-cuttingly approched the scene even back then, when -french touch- was massive. embracing the new trends from a sideways perspective, he emerged with his own blend of broken beat, soul jazz and warp style electro, always keeping the groove in sight, basicaly what techno is all about, as deep and singular as it gets he began the parisian shop traffic records in 1998. this compilation will be in several volumes that have been flagship pieces of this shop influenced by fat cat records, wally s groove world in others ...this first techno volume highlights the influence that didier received at fat cat by the introspective piece stasis -so-lar- on time in right in 1993 & ritchie inkle, one of the designers of nu loop & whose piece - happy face -represents the techno sound represented by traffic records

wie der film ist der soundtrack ein bastard. soul, garage und rock ergeben einen lässigen retrosound. eine abgefahrene und gedenkwürdige mischung aus rammstein, james brown, den Ärzten, den white stripes und johnny cash.

nach zahlreichen reissues seiner werke auf all saints, glitterbeat, light in the attic, stones throw und soul jazz records begab sich electronic-mystiker laraaji im august 2016 wieder ins studio, um mit engineer davey jewell (flaming lips, peaking lights) und mixer carlos nino (leaving records) gleich zwei neue alben aufzunehmen (letzterer wird ihn auch auf seiner neuen live-tour begleiten). sun gong- besteht aus zwei längeren drone-epen und erscheint vorab als limitierte lp auf klarem vinyl.

double 12 inch vinyl in gatefold sleeve, includes download code, detailed liner notes and unseen photographs.

super tuff makes an impressive debut straight out of brooklyn with m. vaughan at the helm, and it looks like high grade deep house is on the menu judging by the quality spread across this first 12inch. jesse bru is up first with the steady cruising futaki, featuring a great speech by tom waits about crooked trees. dj aakmael gets into a bouncier concoction on offering, and then it s down to label boss vaughan to push an agenda of tough nyc flavoured grooves splashed with dusty soul and jazz tones in an utterly infectious style. moony me then finishes off the ep with an acid track that features swooning strings and some deft drum play.

limitierte reissue des deep-house-klassikers -in and out of fog & lights- von gemini aka spencer kincy, einem der am meisten unterschõtzten, produktivsten und innovativsten djs/produzenten aus chicago, mit weiteren releases auf planet e, relief und cajual. zeitlos gute house music, produziert mit einer einzigartigen sensibilitõt, die ihre inspiration aus funk, soul und jazz bezieht.

limitierter reissue des legendõren glenn underground-albums -the jerusalem ep s- von 1997, einer ausgezeichneten kollektion an house-tracks, die jazz-, soul- und funk-elemente mit rhythmisch-experimentellen strukturen verbinden. glenn underground stammt aus chicago und war gr³ndungsmitglied der strictly jaz unit. inspiriert von chicago-pionieren wie larry heard, ron hardy und lil louis, ver÷ffentlichte er einige hei?gesuchte house-tracks f³r einige der renommiertesten deep house-labels wie prescription und guidance.

we are very happy to have the italian duo ksoul & muteoscillator back on our release roster this time with a full ep. last releasing an ep back in 2013, an ep on dekmantel titled soul hell. ksoul & muteoscillator featured on a mini comp on uzuri back in 2010, titled from chicago turin amsterdam & dublin with love ep with a blistering track titled take 1

special 10inch by krimean artists vincent inc & danijel kevic, we presents a deep house track perfetc to floor, the other side by lola allen add soul a full jazzy track, enjoy

outstrip wax hits release number three in some style with a split ep featuring fresh tunes from carlos sanchez and juliche hernandez as well as remixes from outstrip and dj honesty. it makes for another tasteful package for the real soul heads out there. vinyl only release. dj support: archie hamilton, gel abril, huxley, janeret, nick beringer, ntfo, sakro, ray okpara, franck roger, reboot, onno, javier carballo and more

antideepressant records, where jazzy house, nudisco, techno meets deep and creates the eclectique spiritual grooves for your mind, body & soul. listen to lola allen s deep-afro stripped back but emotionally resonant track. the idris rises is really a classic beautiful track, so relaxing and spiritual, freakin great latin influenced house, while mille & hirsch made a uplifting deep dancerfloor killer. this ep will help save hot energy on any party, festival or just stoned you at home.

the soul, creativity, or love put into something, the essence of yourself that is put into your work.